![]() the camera does not cross the imaginary line, usually located behind the actors in the scene.Įstablishing shot – a shot that establishes the whole space of a scene, usually shown at the beginning of a scene. The camera must stay on one side of an imaginary 180-degree line, or axis of action, that runs through the center of the set, from one side of the frame to the other. Off-screen space – the areas which are not visible on screen but may be a part of the space of a scene spaces behind the set, behind the camera, outside the frame.Ĭontinuity editing – smooth seamless editing that link shots so that the cuts appear invisible to the viewers.ġ80-degree system (180-degree rule) – method of filming action that ensured continuity in the spatial relations between objects on screen. Reaction shot – a shot that shows a character’s reaction to the events within a previous shot they have been witness to. It is usually preceded or followed by a shot of the character. Point-of-view shot – a shot taken in the position from which a character is looking, showing what the character would see. Narrative film – a film whose structure follows a story line.Įditing – the selection, splicing or cutting together of the shots in a film to create a meaningful relationship between them. Parallel action – two scenes occurring in different places showing one after another or crosscut together to create the illusion of simultaneity.Ĭrosscutting – editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously. Inter-title – printed titles that appear within the main body of a film to convey dialogue or other narrative information. ![]() Single shot – a shot containing one person. Long shot – a shot of landscape or setting. Also called plan américain.įull shot – a shot of the full figure of a standing person or persons and about ¾ view of the set. Three quarter shot – a shot of a person or persons from the shins up. ![]() Medium shot – a shot in which the scale of the object shown is of moderate size a human figure seen from the waist up would fill most of the screen. Medium close up – a shot in which the scale of the object shown is fairly large a human figure seen from the chest up would fill most of the screen. The diegesis includes events that are presumed to have occurred and actions and spaces not shown on screen.Ĭlose up – a shot in which the scale of the object shown is relatively large most commonly a person’s head seen from the neck up, or an object of a comparable size that fills most of the screen. Hollywood Studio Films - Continuity Editingĭiegesis (Greek word for recounted story) – the “world” of the film’s story, or the “total world of the story action”. In cinematic terms, films that point back themselves as films. Reflexivity – reference, commentary, or analysis of a system that points back to, or lead to changes within the same system. The shot, as opposed to the scene in early films such as Méliès’, became the basic building block of modern continuity editing. ![]() Shot – one uninterrupted image taken by a static or mobile camera. Persistence of vision – a characteristic of human vision (first described scientifically by Peter Mark Roget in 1824) whereby the brain retains images cast upon the retina of the eye for approximately 1/20 to 1/5 of a second beyond their actual removal from the field of vision.Įmulsion – layers of gelatin containing light sensitive chemical, supported by an acetate base, that reacts to exposure to light to form tiny specks (grain) that corresponds to the light and dark areas in the scene filmed. Filmic conventions are established patterns. Form – a film has an overall organization, a pattern.
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